Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

Wednesday, August 15, 2007

Atheists vs. Agnostics vs. Religionists - Or are they all the same?

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Encyclopedia Britannica
Much has been made recently about the potential dangers of religious zeal and fervor. Though it is not a new subject by any means, as there has been conflict between thinking and believing since the beginning of the written word.

Even before the enlightenment more than 300 years ago, when science began to crush many commonly held beliefs like 'the world is flat' or that we weren't meant to fly, philosophers considered every position that came to conclusions without sufficient evidence to be invalid and delusional while others saw fit to kill millions in the name of God if they refused to believe the way they did.

There was a very pacifist atheist movement that seemed to peak in the '60s, exemplified by John Lennon whose song, Imagine, stated an aspiration for a world where people walked 'hand in hand' and had no religion. That generation seemed satisfied with feeling intellectually superior to those who lived by faith.. These anti-establishment figures seemed to accept 'live and let live' as their mantra.

With the rise of the sexual revolution and drug experimentation, the right wingers worldwide decided they had to act affirmatively, not only within the confines of the church but to re-cross the line into government. The US seemed to be the place where this would least likely happen as there was a strong statement of belief in separation of church and state. But in the early eighties, we saw the rise of a disease that not only inconvenienced the sexually active, but killed them.

People like Jerry Falwell proclaimed AIDS had been sent by God to punish sinners. A thunder on the right made a minority of very loud evangelicals believe they were actually a majority, the "Moral Majority". They convinced enough people in the middle that conservatism was a good idea whether religiously inspired or not. Reagan was elected only 4 years after the fall of Nixon, and though he was nowhere near religious, he traded on the terminology of faith and managed to attract people from both the right and middle.

AIDS was initially thought to be simply sexually transmitted, but soon they discovered it could be transmitted through other means. This factor slightly quietened people like Falwell, but a huge new generation had already sprung forward, reacting to this biological imperative that was perceived to threaten the very continuation of the species. Resultantly, conservative, pro-big business, religious flag wavers, literally swept away a huge Democratic lead in the US legislature which had held since FDR.

If the 60's and 70's were a 'sexual' revolution, the 80's and 90's have been a 'fear' revolution, as the right began to reverse many freedoms and to prevent others from ever coming about from race to reproductive to marital rights. Despite the election of Democrat, Bill Clinton, there was still a deep undercurrent of religiously driven conservatism. But both sides liked Clinton as he sounded like a Southern preacher, but demonstrated his intelligence as a Yale-Rhodes scholar. He and his Yale lawyer wife seemed to be taking America and the world back toward the middle.

His presidency came to symbolize the conflict between religion and thought, values and results. And despite the results Clinton achieved in every category, the prevailing notion that conservatives continued to push was that religious values were more important than social and economic justice.

By this time, the atheists were no longer comfortable with a sense of intellectual superiority, but they began to affirmatively organize and frankly achieved a level of evangelical zeal equal to the religious right, though admittedly in smaller numbers.

With both sides feeling cornered and threatened, politics has become more and more polar. Though strange bedfellows, the atheists and other minorities formed an alliance against well-organized and funded right. The advantage the right had over the left was that there was a commonality of Christianity. Though lacking fervor, they were homogeneous. The right wing had convinced moderate Christians you had to be an atheist/communist /"pinko-fag" if you were voting for anyone other than those whom God had endorsed from the right.

Now with a conservative Christian (in name only) as President, proclaiming a mission to attack the 'axis of evil', in response to what he conveniently considered Christianity vs Islam (and everybody else), the right-wing had the US government there to officially advance their mission.

"You're either with us or against us," became the war-cry for George W. Bush, but it went further than foreign wars but resounded a sense that part of America had been disenfranchised and world opinion had been ignored.

Atheists began to speak with greater zeal than ever. They were angry. Websites and even "churches" of Atheism began to demand equal access to the pulpit. Armed with their heroes, Albert Einstein, Carl Sagan and now, Richard Dawkins and Christopher Hitchens have formalized their attack. And with the apparent failure of Bush's religious war they are feeling muscular and vocal. Hitchens morphed from a gentle, open minded, concerned academe, to a hell-fire and brimstone evangelist, with the same angry fervor as Bush. Hitchens even resoundingly celebrated the recent death of Jerry Falwell saying, "If there were a hell, Falwell would be there now."

Many atheists now are on a mission to remove what they consider a danger to society, ignorant religiosity. They truly believe we must act now to prevent the Religionists from committing new genocides in the name of God.

Now, we have both sides screaming at each other and the middle looking for an escape. Moderate Christians came back toward the middle and elected Democrats and began to exhibit tolerance for those with whom, in some cases, they differed spiritually. Meanwhile, now there is a resurgence among atheists who separate themselves from the extremists among them by calling themselves "agnostic" (not-knowing).

Please watch these films to get a sense of where Dawkins began and where he is now.

The premise in this introductory chapter, SLAVES OF SUPERSTITION, of a British TV series, ENEMIES OF REASON, is that society appears to be retreating from reason. Apparently harmless but utterly irrational belief systems from astrology to New Age mysticism, and clairvoyance to alternative health remedies, are booming. Evolutionary biologist Professor Richard Dawkins confronts what he considers an 'epidemic of irrational, superstitious thinking'. He considers 'the dangers the pick and mix of knowledge and nonsense poses in the internet age', and passionately re-states the case for reason and science.

48min2sec


Here, Dawkins asserts that belief in a god is irrational and inflicts great harm upon societies. BBC's Jeremy Paxman interviews Professor Dawkins about "The God Delusion".

9min35sec


Most recently, Hitchens' celebration of the death of Falwell. Watch as Hitchens demonstrates what EXACTLY Jerry Falwell is and stood for, a malevolent bigoted bully:

9min45sec


Most have seen plenty of examples of extreme religious zealots, so I will avoid supplying examples of the hatred expressed by those who profess love in all religions.

However, often misunderstood and mischaracterized, there are many peace-loving Muslims. This film, THE COLLAPSE OF ATHEISM is presented by a highly cross-denominational Turkish Muslim, Harun Yahya and is one of a series of religious films. However, this one should not be mistaken as evangelical in that it simply offers one of the most reasoned presentations of creationism and a long series of debunking of what through time, have been accepted scientific principals.

40min35sec

Thursday, May 31, 2007

Considerable Sounds: 10cc Draws from Diverse Influences and Redefines "Popular" Music


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By DC Music Editor Benjamin New


In 1968 Eric Stewart became co-owner of Strawberry Studios

Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme, who wrote and recorded together for about three years before taking on the name of 10cc in 1972 created some of the freshest most intelligent pop music of their time. Drawing from cabaret, show tunes, rock, pop, and the avant garde the band was completely unique.


All four songwriters injected their songs with an incisively sharp wit and lyrical dexterity that no one has ever quite matched.

The experimental half of 10cc was Godley (vocals, drums, percussion) and Creme (vocals, guitar, keyboards), who brought an "art school" sensibility and a more "cinematic" writing style to the group. Of course Stewart and Gouldman were brilliant songwriters as well. Gouldman made a name for himself long before 10cc as a hit songwriter. The Yardbirds' "Heart Full of Soul" and "For Your Love", and The Hollies' "Look Through Any Window" and "Bus Stop" were all Gouldman-penned hits. Other notable Gouldman hits of the era included Herman's Hermits' "No Milk Today", "East West" and "Listen People". Each member of the band took turns being the lead vocalist.

And when Brian Eno & Phil Manzanara wanted "Heavenly Vocals" for their 801 "Listen Now" album, they rang up Godley & Creme.

In 1968 Eric Stewart became co-owner of Strawberry Studios, and the "gang of four" pretty much moved in. They released material under the names "The Yellow Bellow Boom Room" & "Frabjoy & Runcible Spoon". Around this time all four members of the original 10cc line-up were working together regularly at Strawberry Studios. American bubblegum pop writer-producers Jerry Kasenetz and Jeff Katz of Super K Productions came to England and commissioned Gouldman to write and produce formula bubblegum songs.

These were either augmented or performed entirely by varying combinations of the future 10cc lineup. These songs included "Sausalito", a US hit credited to Ohio Express (Yummy Yummy Yummy),"Susan's Tuba" by Freddie and the Dreamers (which featured lead vocals by Gouldman), "There Ain't No Umbopo" by Crazy Elephant, "When He Comes" by Fighter Squadron and "Come On Plane" by Silver Fleet (these featured lead vocals by Godley.)

Lol Creme said “Singles kept coming out under strange names that had really been recorded by us." Kevin Godley adds, "We did a lot of tracks in a very short time – it was really like a machine. Twenty tracks in about two weeks – a lot of crap really."

They also were the backing tracks producers and engineers for Neil Sedaka's "Solitaire" and "The Tra La La Days Are Over".

Grahm Gouldman said, "We were a bit choked to think that we'd done the whole of Neil's first album with him just for flat session fees when we could have been recording our own material."



Don't Hang Up




10cc was born.

Their 1st album was "10CC" which featured parody's of rock & roll like "Rubber Bullets" a send up of "Jailhouse Rock". Their second effort,"Sheet Music" became the band's breakthrough success album in 1974 with the memorable songs "The Wall Street Shuffle" and "Silly Love".

OH EFFENDI (lyrics)
from Sheet Music

In the middle of a caravan
On a four wheel drive oasis

There's a man with a thought in mind
To cash in on the desert faces

He's got a truckload of yorkshire girls
For your harem going places

And the border bums never saw
The guns in the whiskey cases

There's a real, big demand
And it's written in the palm of his hand

He's gonna change the face of the desert
He's gonna sweep away the sand

Hang on sheik, I've got a yellow streak
I ain't here; I'm a mirage.

Get back des, keep it under your fez.
And don't give us away in the massage

Look what i did for the pyramid
I put a pool in and made it pay

I built an elevator and a film theater
And i shipped it to the USA
`cos there's a real big demand
And it's written in the palm of my hand

I'm gonna change the face of the desert
I'm gonna sweep away the sand

Hang on friends!
There's a lot more goodies in the pipeline
So this ain't the time to close the deal

Here's the deal
Ooh, now you've got a howitzer all of your own
Ooh, and a panzer division to chauffeur you home
Gun running is fun
But hang on, friends, hang on friends

Allah be praised, there's a whole new craze
We're gonna shoot up the foreign legion

And it's up with the sheik
And down with the frog

We're gonna liberate the region!

Oh effendi, we're gonna bury your head in the sand
Oh effendi, you better get off my doggone land
Hey, prince of the moonbeams
Son of the sun,
Light of a thousand stars
Your gorillas are urban
And there's bourbon on your turban
And the sun shines out of your ass
Oh effendi, i'm gonna grovel in your wake
Oh effendi, it's all been a big mistake

You're gonna cut out my liver If i don't deliver
Things are getting out of hand
I'm going to ride off into the sunset
And
make a deal with the promised land
Goodbye friends
There's no more goodies in the pipeline...

Music & Lyrics By Eric Stewart & Kevin Godley


No this is not about current affairs (Though it could be) it was penned in 1973.


MATERPIECE THEATRE

Then the masterpiece "The Original Soundtrack" was released with my personal choice for best group vocals of the era, Godley & Creme's "Une Nuit A Paris", an eight-minute, multi-part "mini-operetta" that seems to have been a fairly large influence on "Bohemian Rhapsody" by Queen. Andrew Lloyd Webber's 1986 musical "Phantom of the Opera" also paraphrases the melody in it's overture.

Imitation is indeed a sincere form of flattery.

The perennially popular "I'm Not In Love" has heavenly vocal tracks. How did they do them? They sang each note in the chromatic scale, one at a time and made tape loops of them. Then they were hand faded in and out of the mix creating the lush bed of voices you hear in the background. This was studio wizardry at it's very best. Here is Eric Stewart's account from Sound on Sound Magazine:

"So I had the first six chords or so of the verse figured and I had the melody already figured in my head, as well as the first verse lyrics 'I'm not in love, so don't forget it, it's just a silly phase I'm going through...' so I took this to the studio, played it to the other guys and asked 'Would anyone like to finish it with me?' GG, the bass guitarist, said he would. We usually wrote in pairs, and while the major hits came out of Godley and Creme or myself and Graham Gouldman, we were a very incestuous bunch — we used to swap partners all the time.

I wrote 'Life Is A Minestrone' and 'Silly Love' with Lol, and we did swap around a lot just to keep the writing freshness going. It worked beautifully for us. Anyway, at that time Godley and Creme were writing the mini musical 'Une Nuit à Paris' [which would open the album], so they went into one room to finish that, and GG (Grahm Gouldman) and I went into another to work on the 'I'm Not In Love' idea with two guitars. We developed the song pretty quickly. I usually wrote on the keyboard, but 'I'm Not In Love' was written on two guitars, and the ironic thing is that there is no featured guitar on the finished product, just a little DI'd Gibson 335 playing a light rhythm pattern. In the end, we must have spent about two or three days writing before completing it.

Well, we recorded 'I'm Not In Love' as a bossa nova and Godley and Creme didn't really like it! Kevin was especially blunt. He said "It's crap". We threw it away and we even erased it, so there's no tape of that bossa nova version. It pissed me off no end at the time, but it was also very democratic and so we turned our attention to the recording of 'One Night In Paris'.

Then the studio secretary Kathy said 'Why didn't you finish that song? I really love it. It's the nicest thing you've ever done.'

This didn't really impress Kevin, of course, but we discussed it again, and believe me, it was Kevin who suddenly came up with the brainwave. He said 'I tell you what, the only way that song is gonna work is if we totally fuck it up and we do it like nobody has ever recorded a thing before. Let's not use instruments. Let's try to do it all with voices.'

I said "Yeah. OK. That sounds... different."

So a simple bass drum sound was played by Kevin from a Moog synthesizer as the rhythm track. It was Lol who thought of recording tape loops to layer the voices. it took me a couple of hours to get my head around the idea. But then I figured how we could physically make the loops and set up the studio to do that. I rigged up a rotary capstan on a mic stand, and the tape loop had to be quite long because the splice edit point on the loop would go through the heads and there'd be a little blip each time it did.

So, I had to make the loop as long as I could for it to take a long, long time to get around to the splice again. That way you wouldn't really hear the splice/blip. We're talking about a loop of about 12 feet in length going around the tape heads, around the tape-machine capstans, coming out away from the Studer stereo recorder to a little capstan on a mic stand that had to be dead in line vertically with the heads. It was like one of those continuous belts that you see in old factories, running loads of machines, and we had to keep it rigid by putting some blocks on the mic stand legs to keep it dead, dead steady.

It worked, but the loop itself — and this is where it gets interesting — had to be made up from multiple voices we'd done on the 16-track machine. Each note of a chromatic scale was sung 16 times, so we got 16 tracks of three people singing for each note. That was Kevin, Lol and GG standing around a valve Neumann U67 in the studio, singing 'Aahhh' for around three weeks.

I'm telling you; three bloody weeks. We eventually had 48 voices for each note of the chromatic scale, and since there are 13 notes in the chromatic scale, this made a total of 624 voices." Eric recorded the lead vocal and Rhodes piano. The band sat in the studio for 3 days just listening to the playback. Kevin suggested the Bass solo in the middle. Lol remembered he had said something into the grand piano mics when he was laying down the acoustic piano. He'd said 'Be quiet, big boys don't cry' — heaven knows why, but I soloed it and we all agreed that the idea sounded very interesting if we could just find the right voice to speak the words. Just at that point the door to the control room opened and our secretary Kathy looked in and whispered 'Eric, sorry to bother you. There's a telephone call for you.' Lol jumped up and said 'That's the voice, her voice is perfect!'

"We got Kathy in the studio just to whisper those words, and there it was, slotted in just before that bass guitar solo. And it fit beautifully. Again, another little twist of fate, an accident that wasn't on anybody else's songs. We'd never heard that before. It just clinched it and made the song even more original. Poor Kathy was bemused. She didn't want to go in the studio, we had to drag her in, but she was very, very sweet and we eventually persuaded her: 'You've just got to whisper. Just whisper, don't worry. You're not singing, just talking. Use your best telephone voice.' She had a gorgeous voice, and there it is; it's on the recording... and she got a gold record for it, too."

Kathy Redfern, The studio secretary whose voice you hear saying, "big boys don't cry" in "I'm Not In Love."



The entire album was masterful, even the lighthearted "Life Is A Minestrone".

LIFE IS A ROLLER COASTER WE ALL RIDE...

"How Dare You!", their next album was another completely original work. With "Art for Art's sake" still an FM radio staple in my listening area (N.Y. - Philadelphia). When I purchase audio equipment I bring "How Dare You" and Steely Dan's "Aja" as the benchmark source for fidelity. I think both of these bands had similar production values. (Perfection or bust).


Sadly, no one has supplanted 10cc in the past 20 years. There is nothing remotely like it. I still go back to The Original Soundtrack when I want to hear something completely original, and it still gets my blood pumping, after all these years.

I will do another story in the future about the amazing contributions to both music and film these 4 gentlemen have amassed since Godley & Creme left the band. I leave you with a bit of news; Kevin Godley and Graham Gouldman recently launched a web site and have new material available for downloads! Here are some samples:

THE SAME ROAD


SON OF MAN

VISIT THE KGGG WEBSITE





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Saturday, May 26, 2007

Considerable Sounds: Top Secret -- No Longer Secret


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By DC Music Editor Benjamin New

"Discipline is never an end in itself, only a means to an end."
(From Tao-Te Ching, a collection of philosophic poems by Laozi.)
All extraordinary music shares the common bond of extraordinary discipline. Whether we speak of the brilliance of a Mozart piano concerto, Paco de Lucía performing a perfectly executed flamenco rasguedo, the wondrous vocal inflections of Giuseppe Verdi’s operatic masterpieces, Coltrane’s “Giant Steps”, the glorious simplicity of a Randy Newman song, or the supernatural tone and phrasing of a Carlos Santana guitar line; a profound discipline is always involved. Have a look at this delightful video of the "Top Secret Drum Corps" from Basel, Switzerland.



If I may make a broad generalization, I suggest the Swiss know a thing or 2 about discipline. It is evident in precision instruments crafted there, the way their business is conducted, and in their drum rudiments. It is believed by historians that the first drum corps was Swiss, sometime in the 15th Century. The Swiss had won their independence from the Holy Roman Empire in 1291, and had become known for their bravery and military excellence.

The needs of extended marches and camp life encouraged the development of drum music in the 1400’s. The rest of Europe took notice of this military music at the climatic Battle of Marignano (near Milan, Italy) in 1515 and began to recognize the peculiar intelligence and discipline that this type of drumming promoted.

Of Course the American Revolution was empowered by percussion as well. America boasts some of the finest drum corps in the world, but it was not invented here as many people seem to believe. American’s moved it into football stadiums and certainly added much to craft, but invented it?

Even Julius Caesar refers to Drums as an integral part of the military.
“Beware of the leader who bangs the drums of war in order to whip the citizenry into patriotic fervor, for patriotism is indeed a double-edged sword. It both emboldens the blood, just as it narrows the mind. And when the drums of war have reached a fever pitch and the blood boils with hate and the mind has closed, the leader will have no need in seizing the rights of the citizenry, [who] infused with fear and blinded by patriotism, will offer up all of their rights unto the leader and gladly so. How will I know? For this I have done. And I am Julius Caesar.”

The buzz about the Top Secret Drum Corp started in Europe but after this performance
in Edinburgh, Scotland, well; the secret is out on both sides of the pond. Top Secret's act is a mixture of traditional Swiss drumming with quick rhythmic devices and precision drumstick juggling. It is a truly compelling mix of contemporary and traditional percussion.

It was 11 years ago when an aspiring group of young percussionists began looking for a challenge, to perfect their drumming skills and to explore fresh new approaches to their craft. They mixed ideas from the Scottish and North American style of drumming with the world renown Swiss rudiments. During the following years, Top Secret took part in many events in Switzerland and appeared on Swiss Television. The group was originally composed of six drummers and one bass-drummer.

The Swiss invented the “traditional grip” of the drumsticks. The advent of drum corps has it's incipience as an actual military squadron used to keep cadence for marching.

Groucho Marx once said "Military justice is to justice what military music is to music".

I think if he heard this group and saw this performance he might just rescind that comment. What if instead of spilling blood, when nations had conflicts, their drum corps met on the field and whoever kicked musical butt could claim victory?

Yes, I am an idealist.

Raise the bar high.
(The realist places the bar within easy grasp.)

“Seemed to me that drumming was the best way to get close to God.”
- Lionel Hampton




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Thursday, May 17, 2007

Considerable Sounds: Strange Days Indeed --The Posthumous John Lennon Interview

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STRANGE

DAYS

INDEED

by

Ben New, DC Music Editor



Ignis Aurum Probat (Fire Tests Gold)


Plus a conversation with John Lennon, post mortum


A reticent tear drifted
wearily down my cheek.
It was December 8, 1980 and John Lennon was dead.

The winter sky was grayer, the wind was colder, and I was only vaguely aware of the stinging rain on my skin which now seemed so very far away . I was in complete solitude walking the Delaware Bay... shoreline at dusk.

The world was without color at that moment and I was numb. Later that evening I found myself in the company of some equally numbed friends fashioning a raft of flotsam, driftwood, and twigs. We tied it together with seaweed and dune grass; placed photos of John on it and dowsed it with gasoline. We then ignited the raft and pushed it out to sea.

After the initial “whoosh” of the raft igniting, all sound ceased as we stood watching John’s Viking funeral pyre make its way towards the horizon growing smaller and dimmer silhouetted by the indistinct shadow of the Cape May - Lewes Ferry in the distance. No one spoke.

The sea and wind were silent, and no music played. It was all we could do. Silence was the only music that seemed fit. All rests, no more notes.



GOD

Written in 1970 by John Lennon



God is a Concept by which

we measure our pain

I'll say it again

God is a Concept by which

we measure our pain

I don't believe in magic

I don't believe in I-ching

I don't believe in Bible

I don't believe in Tarot

I don't believe in Hitler

I don't believe in Jesus

I don't believe in Kennedy

I don't believe in Buddha

I don't believe in Mantra

I don't believe in Gita

I don't believe in Yoga

I don't believe in Kings

I don't believe in Elvis

I don't believe in Zimmerman

I don't believe in Beatles

I just believe in me...and that reality

The dream is over

What can I say?

the Dream is Over

Yesterday

I was the ... Dreamweaver

But now I'm reborn

I was the Walrus

But now I'm John

and so dear friends

you'll just have to carry on

The Dream is over




I won’t attempt to address the paradigm shift the Beatles brought with them to the Limelight.

Suffice it to say it was not small. Yet you could sum up their entire
body of work by simply saying the underlying theme of it all was “Love.”

John Lennon was a man of sharp wit, piercing intelligence, boundless creativity, and strong spirit. Despite his unprecedented celebrity he always remained “one of us”. He used his celebrity to further the cause of peace in the world. Have you ever noticed how it seems anyone with a message of peace is violently removed from the planet?

From
Mahatma Gandhi to Martin Luther King, Jr.

From Jesus of
Nazareth to John Lennon.

From Robert Kennedy to Steve Biko. (I
think Bono and Peter Gabriel best watch their step!)

For those who may be unfamiliar:
John’s strong nonviolent stance against war was perceived as a threat by both Richard M. Nixon & J. Edgar Hoover. They brought their considerable powers to bear in an effort to have John deported.

Take a
look at this FBI file on John Lennon released through the Freedom of Information Act. (FOIA)




Not much information;
not much freedom either.

These files were released to University of California, Irvine, historian Jon Wiener, who wrote about them in his book "Gimme Some Truth: The John Lennon FBI Files." Portions of the files had been withheld under the claim that releasing them would "endanger the national security."

With the help of the ACLU of Southern California, Jon Wiener sued the
FBI asking the courts to order release of the withheld portions of the Lennon file. Here is that same document after the suit.


The 2 words released appear to be

"stated that"

At the trial the FBI claimed the text contains "intelligence information gathered by the United States about or from a foreign country, group or individual."

Release of the information on this page, according to the FBI, "can reasonably be expected to lead to foreign diplomatic, economic and military retaliation against the United States."



The withheld information remains the subject of litigation.

There is one more file to see, and it is a "Wanted" Flyer issued for John's deportation hearing.





That's not even Lennon. How much more about these documents is erroneous?


John Lennon was one of the most familiar faces in the world at this time yet that is not John Lennon’s picture in this FBI “wanted poster”. It is an East Village street singer named David Peel.


I leave you to draw your own conclusions.


Strange days indeed...

Most peculiar mama.



Now, without further ado,

I give you the officious

DC Posthumous Interview

with John Lennon.


DC-

John, how are things outside of the space time continuum?


JL-
Existing without physical form is a gas.


DC-
How do you find Eternity?


JL-
Turn left at purgatory. (Chuckles)


DC
Is there a God?


JL-
If you want it.


DC-
What kinds of things are you doing now?


JL-
I'm just sitting here watching the wheels go round and round, I really love to watch them roll, No longer riding on the merry-go-round, just had to let it go.


DC-
John, how about music? Are you still making
music?


JL-
George and I were just jamming with Jimi Hendrix, John Bonham on drums,
Sun Ra on the keys, 'the Ox' (John Entwistle) on bass. It was pretty interesting.

Yesterday, I did a session with Al Einstein and Thomas Jefferson adding a little sweetening with their violins. We did a track last week with Janis Joplin, Bob Marley, Charlie Parker, and believe it or not, Richard Nixon called on his "Hell phone" and wanted to sing.

DC-
Did you let him?


JL-
Nah, none of us liked him in life, I can’t say he’s any better in death. And he sure as hell can’t sing. Besides all the silverware disappeared the last time we let sit in. He kept jabbering about dancing on the heads of punks and erasing our master tapes as well.


DC-
Do you pay any attention to the goings on back on earth?


JL-
Well to let you in on a joke, Keith Moon and I do visit from time to time.


DC-
Really?


JL-
Have you ever woken up inexplicably worn out and tired in the morning?


DC-
More often than not.


JL-
It’s because while your sleeping, Keith and I
shimmy down the silver cords that connect your souls to the great sempiternal beyond, then we take your bodies on a 'lost weekend' (heh heh.)

We
usually get kicked out of every pub within 600,000 light-years before returning your body. Sometimes Graham Chapman comes along and we end up heckling Tommy Smothers just for old times sake, you know mate. it’s against the laws of metaphysics but we were always a bit rebellious. (Chuckles,
lights a cigarette and inhales deeply)

Ahh… one nice thing about
being a bloody aeriform spectre; No health to look after!


You know you should enjoy that physical form while you can. It’s the one thing I miss.
That, and existing in the same dimensions with my family and friends.

Although, I’m always there in a sense, as long as I‘m remembered.


DC-
That explains a lot. John, do you follow current events back on earth?


JL-
We get satellite TV but it takes years for the
signals to travel here. You see those
Tralfamadorians over there with Kurt Vonnegut? They’ve been observing American Tele for a long time. They think Gilligan is the the leader of the earth people.

Of course, when Kurt arrived and heard that, he rolled on the noise floor, laughing. Then he said sadly “… it was pretty much the truth.”

So it goes.


I read Duly Consider on the ether net,
that was a nice article on the nature of music last week by the way. Fripp is trippy and Eno is a hoot!


DC-
Thanks, John! We are honored! Aside from your elegantly surreal lyrics and prodigious musical contributions, you were always a great campaigner for the cause of world peace.


Is there anything you would like to say to those of us you had to leave behind?


JL-
I said it while I was there with you. I’m saddened by all the wars and violence. War is over if you want it. I don't believe in killing whatever the reason! If someone thinks that love and peace is a cliche that must have been left behind in the Sixties, but that's their
problem.

Love and peace are eternal.


If everyone demanded peace instead of another television set, then there'd be peace.


(Imagine ...John Lennon's responses are a combination of the author's imagination and actual Lennon quotes.)

Peace,
Benjamin New




Visit
---- The John Lennon Artificial intelligence site

http://triumphpc.com/johnlennon/


DC Editor's Note: In this week when the 'moral majority' are mourning the death of a man who claimed to be a Christian who favored the death and dying of millions to starvation, war, pestilence and AIDS; Duly Consider remembers John Lennon who gladly represented the so called 'immoral minority' as he opposed all that pretense that has been a whole generation of haters!




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Wednesday, May 16, 2007

Daily Show & Colbert Report: Forced Rescusitation of America's Ignorant!

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Are Jon Stewart and Stephen Colbert raping the mind of America or are they impregnating them with a chance of rebirthing intelligence?

As a professor of Critical Thinking (Logic and other forms) I often find an unwillingness to replace opinion with facts among students who interestingly enough, have not yet discovered they don't know what they don't know. Such students will tell us that we all have a right to an opinion. I have to remind them that in my class, they don't, unless those opinions are preceded by supported premises.

But who would dare require students to assume a teacher knows more about the subject than they? Who would dream of denying a child to think candy was more nutritious than vegetables? Who would have the nerve to inflict ignorance with knowledge? Especially in a college?

Stephen Colbert and his progenitor, Jon Stewart of the Daily Show consistently demonstrate not only how hip they are and how funny intelligence can be, but they may be teaching us that the world has a chance after all if we just stop being afraid to laugh at village idiots.

Every night, millions of the highest IQ viewers across the US watch with bated breath to hear pearls of wisdom through the parody and satire that Colbert and Stewart deliver. Stewart has become in a short time, the most preferred interviewer of Presidents, scientists, Nobel Laureates of every discipline, and frankly those in the know... outside the US head of state, of course.

In this clip from Colbert we see a very funny twist on the idea that ignorant people are getting very pissed at being wrong. Enjoy!

Colbert-The WORD: Heated Debate 4min

icon for podpress TCR - heated Debate [4:00m]: Download



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